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Films In Focus : Winter 1993
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Films In Focus : Winter 1993
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Alfa Homem : July 2011
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Alfa Homem : July 2011
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Gallery – The Magazine : January 2010
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Gallery – The Magazine : January 2010
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Monterey Bay : November / December 1992
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Monterey Bay : November / December 1992
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Computer Life : April 1996
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Computer Life : April 1996
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Día Siete : No. 454 / 2008
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Día Siete : No. 454 / 2008
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G-man Jerry Cotton : No. 997
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G-man Jerry Cotton : No. 997
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Knack Focus : 25th October 2006
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Knack Focus : 25th October 2006
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La Vanguardia Magazine : 12th November 2006
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La Vanguardia Magazine : 12th November 2006
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Le Monde 2 : 17th May 2008
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Le Monde 2 : 17th May 2008
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Life in California : December 1977
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Life in California : December 1977
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Movie Entertainment : January 2006
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Movie Entertainment : January 2006
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Popular Cinema : No. 444 / 1990
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Popular Cinema : No. 444 / 1990
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Premiere : November 1989
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Premiere : November 1989
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Satellite TV : January 1994
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Satellite TV : January 1994
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Selling Power : July / August 2005
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Selling Power : July / August 2005
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Sunday : 11th July 1993
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Sunday : 11th July 1993
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Tele Moustique : 8th October 1990
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Tele Moustique : 8th October 1990
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Travel and Leisure Golf : Jan / Feb 1999
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Travel and Leisure Golf : Jan / Feb 1999
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Vocable : 24th March 2005
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Vocable : 24th March 2005
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Westmann Brand Wild West Novel : Issue No. 1392
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Westmann Brand Wild West Novel : Issue No. 1392
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Film a divadlo : 4th June 1969
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Film a divadlo : 4th June 1969
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New TV Guide : 2nd July 1994
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New TV Guide : 2nd July 1994
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Tele K7 : 7th March 1987
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Tele K7 : 7th March 1987
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Tele K7 : 28th August 1995
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Tele K7 : 28th August 1995
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Super Star : June 1975
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Super Star : June 1975
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Video Epics : April 1985
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Video Epics : April 1985
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Video Epics : August 1984
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Video Epics : August 1984
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Tele Pouche : 4th September 1984
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Tele Pouche : 4th September 1984
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The Cable Guide : July 1988
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The Cable Guide : July 1988
CLINT EASTWOOD : LEADING MAN
Says the actor, director and onetime mayor: “I’ve always thought of myself as a character actor, never a leading man.”
By Ric Gentry
At a corner of the Burbank Studios lot, Clint Eastwood meets you at the door of his Malpaso Productions with an easy smile. None of the intimidating grimace movie tough guys are famous for. In fact, Eastwood in person is friendlier or more hospitable than his image would suggest, and more open, too, about himself, what he takes so seriously. And no one in the business, certainly none of his stature, works harder than he does. In the last year he has released three films — The Dead Pool (which premieres on cable this month), Bird and Pink Cadillac — and has begun work on another, White Hunter, Black Heart, to be photographed this summer in Zimbabwe. Despite his recent breakup with longtime lover and frequent co-star Sondra Locke, he doesn’t appear the worse for wear. At 59, Eastwood looks easily a decade younger, wearing a Dos Equis T-shirt, starched laundry Levi’s and a pair of running shoes. Eastwood relaxes in a nicely appointed but otherwise unpretentious conference room, occasionally resting a leg over the corner of a walnut coffee table. He sipped a glass of cold fruit juice as he nestled in and began discussing his films.
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Selecções : March 2011
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Fly ‘On : Autumn 2009
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Fly ‘On : Autumn 2009
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Foto : December 1994
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Foto : December 1994
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CIAK : May 1988
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CIAK : May 1988
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Hommes Vogue : May 1990
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Hommes Vogue : May 1990
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Hommes Vogue : December 1982 / January 1983
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Hommes Vogue : December 1982 / January 1983
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Cahiers du Cinéma Japan : Spring 1993
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Cahiers du Cinéma Japan : Spring 1993
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Kinema Junpō : December 2021
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Kinema Junpō : December 2021
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BS Fan : July 1993
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BS Fan : July 1993
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Kinema Junpō : April 1993
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Kinema Junpō : April 1993
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Kinema Junpō : Late June 2005
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Kinema Junpō : Late June 2005
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TOHO : February 2019
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TOHO : February 2019
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Cahiers du Cinéma Japan : Summer 1998
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Cahiers du Cinéma Japan : Summer 1998
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Studio Magazine : November 2008
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Studio Magazine : November 2008
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Studio Magazine : February 2011
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Studio Magazine : February 2011
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The Movie #7 1966 : 14th April 1998
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The Movie #7 1966 : 14th April 1998
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Brutus : 1st February 2011
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Brutus : 1st February 2011
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Cahiers Du Cinema : March 1998
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Cut : January 2011
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Cut : January 2011
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FILM : 5th June 1988
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FILM : 5th June 1988
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HailMary Magazine : January 2022
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HailMary Magazine : January 2022
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HailMary Magazine : November 2016
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HailMary Magazine : November 2016
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Il Venerdi di Repubblica : 1993
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Il Venerdi di Repubblica : 1993
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Japan Jazz : May 2011
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Japan Jazz : May 2011
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Kinema Junpō : Early March 2009
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Kinema Junpō : Early March 2009
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Kinema Junpō : Early March 2011
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Kinema Junpō : Early October 2016
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Kinema Junpō : Early October 2016
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Kinema Junpō : Late December 1977
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Kinema Junpō : Late December 1977
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Kinema Junpō : Late February 1972
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Kinema Junpō : Late February 1972
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Kinema Junpō : Late March 1984
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Kinema Junpō : Late March 2019
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Kinema Junpō : Late March 2019
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Le Figaro : May 1985
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Le Figaro : May 1985
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The Heibon Weekly : 15th March 1962
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The Heibon Weekly : 15th March 1962
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Channel Guide : September 2016
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Esquire : September 1995
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Esquire : September 1995
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Tele Cable Sat February 2015
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Cine 3 : April 1993
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Cine 3 : April 1993
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Femina : January 2010
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Femina : January 2010
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Il Venerdi : 1993
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Il Venerdi : 1993
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L’Obs : February 2015
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L’Obs : February 2015
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Studio Cine Live : February 2015
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Studio Cine Live : February 2015
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Sunday Mirror Magazine : June 1990
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Sunday Mirror Magazine : June 1990
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El Semanal : February 2005
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El Semanal : February 2005
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HiHo : April 2015
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HiHo : April 2015
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Ruta 66 : November 1988
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Ruta 66 : November 1988
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Clint Eastwood Special : 1978
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Clint Eastwood Special : 1978
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Films / Portraits N° 5 : Nov/Dec 1978
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Films / Portraits N° 5 : Nov/Dec 1978
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Supercops : 1976
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Spotlight : March 1987
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Screen Archives Vol.1 : March 2019
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Screen Archives Vol.1 : March 2019
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Screen Archives 1967-1979 Vol.2 : January 2022
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Screen Archives 1967-1979 Vol.2 : January 2022
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Screen Archives 1980-1999 Vol. 3 : January 2022
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Screen Archives 1980-1999 Vol. 3 : January 2022
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Screen Archives 2000-2019 Vol. 4 : December 2021
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Screen Archives 2000-2019 Vol. 4 : December 2021
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Life : 23rd July 1971
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Life : 23rd July 1971
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The New York Times : 27th February 2015
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The New York Times : 27th February 2015
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The Mail On Sunday : January 16th 2011
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Hotdog : December 2000
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You : 9th November 1986
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You : 9th November 1986
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Clint Eastwood : The Hero Who Lives in the Same Period : November 2014
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Eastwood : From Rawhide to Pale Rider
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Eastwood : From Rawhide to Pale Rider
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Hello : 15th August 1992
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Hello : 15th August 1992
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Studio : April 2005
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Studio : April 2005
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The New York Times Magazine : February 24th 1985
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The New York Times Magazine : February 24th 1985
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Star Western : Clint Eastwood
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Star Western : Clint Eastwood
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Invitation : June 2005
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Invitation : June 2005
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The Times Magazine : 28th March 1998
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Vanity Fair : February 2015
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Vanity Fair : February 2015
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PhotoPro : June 1993
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PhotoPro : June 1993
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The Advocate : November 1997
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The Advocate : November 1997
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Esquire : June 2013
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Esquire : June 2013
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Cinema of the 70s : Issue 08
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Cinema of the 70s : Issue 08
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Switch : February 1989
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Switch : February 1989
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Arcade : July 1999
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Arcade : July 1999
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American Cowbuy : Legends of Western Cinema
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American Cowbuy : Legends of Western Cinema
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Le Figaro: Hors-Serie 2024
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Le Figaro: Hors-Serie 2024
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Cahiers Du Cinema : Hors-Serie 2024
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Cahiers Du Cinema : Hors-Serie 2024
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Paris Match : February 2025
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Paris Match : February 2025
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San Francisco Examiner : March 26 1995
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San Francisco Examiner : March 26 1995
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Screen Actor : Winter 2002
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Screen Actor : Winter 2002
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France Soir Magazine : May 1985
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France Soir Magazine : May 1985
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Country Song Roundup : July 1979
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Country Song Roundup : July 1979
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Country Song Roundup : November 1980
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Country Song Roundup : November 1980
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Stars In Sports : December 1974
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Stars In Sports : December 1974
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Sunday Times Magazine : October 1983
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Sunday Times Magazine : October 1983
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Blockbuster Video : January 1990
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Blockbuster Video : January 1990
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Cahiers Du Cinema : January 2012
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Cahiers Du Cinema : January 2012
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Cahiers Du Cinema : September 1992
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Cahiers Du Cinema : September 1992
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Cahiers Du Cinema : May 1997
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Cahiers Du Cinema : May 1997
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Cahiers Du Cinema : February 2009
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Film : March 1993
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Il Venerdi : December 2009
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No.1 Il Settimanale Degli Italiani : April 1993
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No.1 Il Settimanale Degli Italiani : April 1993
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Nuevo Fotogramas : January 1980
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Rapport : Volume 19 #6
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Rapport : Volume 19 #6
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Here’s Health : April 1979
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San Francisco Examiner : August 1986
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San Francisco Examiner : August 1986
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Hotdog : March 2005
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Hotdog : March 2005
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Du : March 2012
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Du : March 2012
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Il (Elle) : April 1998
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A Rabbit’s Foot : 2024
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A Rabbit’s Foot : 2024
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Arte : November 2022
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Arte : November 2022
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CDi : Issue 4
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CDi : Issue 4
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Film Monthly : April 1989
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Film Monthly : April 1989
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Film Review : February 1984
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Film Review : February 1984
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Playgirl : June 1983
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Playgirl : June 1983
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Private Air : March/April 2006
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Private Air : March/April 2006
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Studio Ciné Live : November 2016
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Studio Ciné Live : November 2016
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Cinema Retro : Clint’s American Westerns
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Cinema Retro : Clint’s American Westerns
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Cinema Retro : Kelly’s Heroes
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Cinema Retro : Kelly’s Heroes
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Cinema Retro : The Dollar’s Trilogy
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Cinema Retro : The Dollar’s Trilogy
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Cinema Retro : Where Eagles Dare
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Cinema Retro : Where Eagles Dare
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Films Illustrated : January 1979
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Films Illustrated : January 1979
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Films Illustrated : July 1980
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Films Illustrated : July 1980
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Guns : November 1973
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Guns : November 1973
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Nikon Owner : Issue 3 : 2001
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Nikon Owner : Issue 3 : 2001
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Complete Bestsellers : Vol.1 No.10
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Complete Bestsellers : Vol.1 No.10
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Nostalgic America
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Nostalgic America
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Starfix : March 1983
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Starfix : March 1983
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Primeurs : September 1994
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Primeurs : September 1994
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Time : January 1978
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Time : January 1978
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Tribute : June 1985
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Tribute : June 1985
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True West Extra : March 2012
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True West Extra : March 2012
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Video Today : July 1985
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Video Today : July 1985
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Vis à vis : May 1987
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Vis à vis : May 1987
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Kino : August 1993
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Kino : August 1993
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Max : March 1986
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Max : March 1986
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Max : January 1989
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Max : January 1989
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La Revue Du Cinema : January 1979
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La Revue Du Cinema : January 1979
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Daredevils : September 1984
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Daredevils : September 1984
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Impact : December 1992
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Impact : December 1992
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Cinemania : March 2019
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Cinemania : March 2019
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Closer USA : September 2023
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Closer USA : September 2023
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Essential Journal : Issue 30
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Essential Journal : Issue 30
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ValueRich : Spring 2004
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ValueRich : Spring 2004
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Written By : November / December 2011
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Written By : November / December 2011
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Cowboys and Indians : April 2005
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Cowboys and Indians : April 2005
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Film Review : August 1975
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Cineaste : Summer 2005
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Idols : May 1990
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Idols : May 1990
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Esquire : April 2009
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Esquire : April 2009
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Film Review : August 1982
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Film Review : August 1982
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Hollywood Then and Now : Volume 19 #5
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Hollywood Then and Now : Volume 19 #5
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Guitar Player : April 1997
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Guitar Player : April 1997
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Film Review : March 1985
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Film Review : March 1985
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Cowboy Legends : December 2018
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Cowboy Legends : December 2018
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TV Guide : November 1990
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TV Guide : November 1990
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Le Figaro Magazine : January 2019
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Le Figaro Magazine : January 2019
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Muscle and Fitness : January 1988
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Muscle and Fitness : January 1988
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SkyTV Guide : September 1994
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Film Review : December 1979
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The Observer Film Quarterly : November 2008
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Crazy Magazine : March 1974
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Eastwood Exposed No 1-7
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Eastwood Exposed No 1-7
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Muscle and Fitness : January 1991
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Muscle and Fitness : January 1991
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Films and Filming : January 1990
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Look : July 1979
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Look : July 1979
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People : February 13 1978
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People : February 13 1978
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People : June 2 1975
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Saga : June 1975
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Screens : 1987 Issue 8
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Screens : 1987 Issue 8
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The Movie : Chapter 77
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The Movie : Chapter 77
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Tintin : Number 32
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Tintin : Number 32
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Tintin : Number 33
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Tintin : Number 33
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Fotogramas & Video : April 1993
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Fotogramas & Video : April 1993
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Films in Review : August 1993
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Films in Review : August 1993
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Western Magazine : June 1999
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Western Magazine : June 1999
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Western Shooting Journal : February 2015
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Western Shooting Journal : February 2015
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American Film : September 1988
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American Film : September 1988
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Bijou : April 1977
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Bijou : April 1977
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Circus : October 26 1976
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Circus : October 26 1976
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Entertainment Weekly : December 10 1993
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Entertainment Weekly : December 10 1993
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American Premiere : Spring 1984
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American Premiere : Spring 1984
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Film Comment : May – June 1996
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Radio Times : 16-22 May 1992
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Radio Times : 16-22 May 1992
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Men’s Journal : November 2010
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Men’s Journal : November 2010
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GQ Japan : December 2006
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GQ Japan : December 2006
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GQ : December 2009
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TimeOut : August 1992
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Saga Magazine : January 2010
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Saga Magazine : January 2010
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FHM : October 1992
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FHM : October 1992
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The Made in America Collection : January 2022
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The Made in America Collection : January 2022
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Action Films : November 1982
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Action Films : November 1982
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US : January 1987
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US : January 1987
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Synopsis : October 2003
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Synopsis : October 2003
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Film Comment : September / October 1992
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Film Comment : September / October 1992
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Fotogramas : June 2020
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GQ : March 1993
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GQ : March 1993
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The Hollywood Reporter : March 1993
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Weekend : 5th November 1980
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Weekend : September 1985
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Architectural Digest : July 1993
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Architectural Digest : July 1993
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Sette : 5th February 1993
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Sette : 5th February 1993
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Dirigido : January 2010
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Dirigido : January 2010
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Dirigido : May 1987
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Dirigido : May 1987
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Dirigido : November 2012
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Dirigido : November 2012
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Dirigido : October 1993
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Dirigido : October 1993
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The Red Bulletin : July 2010
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The Red Bulletin : July 2010
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Movie Star : August 1981
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Movie Star : August 1981
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The Sunday Telegraph Seven : 31st January 2010
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The Sunday Telegraph Seven : 31st January 2010
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Crawdaddy : April 1978
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Crawdaddy : April 1978
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GQ : September 1993
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GQ : September 1993
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Soldier of Fortune : January 1987
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Soldier of Fortune : January 1987
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Uncut DVD : November 2005
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Uncut DVD : November 2005
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Jazz Times : September 1995
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Jazz Times : September 1995
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Esquire : September 2016
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Esquire : September 2016
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Western Magazine : January 1981
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Western Magazine : January 1981
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Time Out : January 1985
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Time Out : January 1985
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Time Out : September 1985
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Time Out : September 1985
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Time Out : April 1990
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Time Out : April 1990
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Inside Kung Fu : February 1978
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Inside Kung Fu : February 1978
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Esquire : March 14 1978
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Esquire : March 14 1978
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Film Review : January 1978
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Film Review : November 1970
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Film Review : November 1970
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Blanco Negro : October 1995
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Blanco Negro : October 1995
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Sight and Sound : October 1992
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Sight and Sound : October 1992
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Sight and Sound : September 1993
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Sight and Sound : September 1993
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Sight and Sound : September 2008
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Sight and Sound : September 2008
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BFI Membership News : November 1993
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BFI Membership News : November 1993
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Video Today : May 1986
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Video Today : May 1986
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Video Today : October 1987
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Video Today : October 1987
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Video Today : October 1989
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Video – the magazine : June 1985
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Newsweek : September 1985
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Nous Deux Flash : 1980
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Nous Deux Flash : 1980
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Screens : February 1994
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Screens : February 1994
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Shatter : No.2
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Shatter : No.2
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TV Guide : February 4-10 1961
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TV Guide : February 4-10 1961
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TV Guide : August 11 2000
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Photoplay : August 1980
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Channel TV Times : August 1986
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People Weekly : January 10 1983
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Hot Tickets : 15-21 September 2000
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Hot Tickets : 15-21 September 2000
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Mediascene : December 1973
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Record Song Book
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Record Song Book
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Cowboys & Indians : August / September 2017
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The Independent Magazine : November 1988
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Hommes Vogue : October 1985
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Hommes Vogue : October 1985
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Focus On Film : Spring 1972
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VSD : April 1985
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Video : April 1984
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Video : April 1984
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Faces : March 1978
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Faces : March 1978
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Premiere : April 1993
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Premiere : April 1993
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Premiere : June 1994
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Premiere : June 1994
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AARP : January / February 2010
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AARP : January / February 2010
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Premiere Classics : January / March 2018
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Premiere Classics : January / March 2018
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Premiere Classics : April / June 2021
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Premiere Classics : April / June 2021
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Woman’s Own : April 1982
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Woman’s Own : April 1982
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Woman’s Own : February 1985
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Woman’s Own : February 1985
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Sunday Mirror Magazine : February 1989
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Sunday Mirror Magazine : February 1989
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USA Weekend : January 2004
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USA Weekend : January 2004
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New York News : November 1969
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New York News : November 1969
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Parade : August 1992
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Parade : August 1992
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Parade : December 2008
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Parade : December 2008
Clint Eastwood at 78 : Reckless Again
Reckless Again : Clint Eastwood After 70 by Gail Sheehy
He’s sitting at home, stroking his pet rabbit. His wife is out. His latest picture is a wrap. He is content to have nothing to do.
“When you’re young, you’re very reckless,” says Clint Eastwood with his usual economy of words. “Then you get conservative. Then you get reckless again.” That is, if you live long enough.
Days before, I had seen Clint’s latest film, Gran Torino, in which he plays a bent and bitter old racist. In the film he lopes, with his trademark dynamic lassitude, into a hail of bullets. He does not look like a man who pets rabbits.
But that’s Clint—a coil of contradictions that go to the very soul of the American male. On film, Clint likes his characters gritty, dark, uncomfortable. In person, he looks younger, kinder, incredibly fit. He could be 50. He is, in fact, a year and a half from 80.
After the screening, I await him in the bungalow where he set down his production company 40 years ago. Clint always seems to appear out of the mist. He arrives generously. His voice is gentle.
“I just ran into a guy a little younger than me,” he tells me. “He says, I’m going to retire. I say, Wait for me. Keep going.” Everybody in my generation, once you get in the seventh decade, they go, ‘Well, what the hell. I’m on bonus time. Let me retire.’”
But making movies is your passion, I say. Would you ever want to give it up?
“No. Never. Never would.” He muses about his father, who was in and out of work during the Depression. “All he ever dreamed about was retiring. And so he did, around 60. He didn’t last very long.”
What we know about Clint Eastwood, this elusive American icon, is that he drifted through his youth: loner, self-taught jazz pianist, digger of swimming pools, star of spaghetti Westerns. In the 1970s, when he was in his early 40s, he asked to direct, did it for nothing, and invented characters who captured cultural moments: the victim of an obsessed stalker in Play Misty for Me, the vigilante cop “Dirty Harry” Callahan, the avenger on a horse for The Outlaw Josey Wales.
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Parade : December 2009
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Parade : December 2009
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Parade : September 2021
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Parade : September 2021
“I’m lucky to be here” : Clint Eastwood Rides Again in Cry Macho
Macho Man
Screen legend Clint Eastwood on why he’s still making movies at 91, a missed opportunity with Marilyn Monroe and returning to his Western roots with Cry Macho By Mara Reinstein
“I was in New Mexico for nine weeks working on this project during the pandemic,” Clint Eastwood says, referring to his upcoming film Cry Macho, which premieres on HBO Max Sept 17. “When I got back home, I thought, I’m lucky to be here.”
Eastwood, 91, doesn’t take luck lightly. “My career has been so much based upon luck, things falling into place at the right time,” he says. And the Hollywood legend — with more than 70 acting roles and 45 directing credits — refuses to hang up his boots and call it a career. He enjoys working way too much, directing nine films since 2010 alone.
Cry Macho is one of his most personal yet. In addition to directing, he stars as Mike, a washed-up, broken-down rodeo star in the late 1970s who agrees to take on a new assignment for his ex-boss, Howard Polk (Dwight Yoakam): to reunite Polk with his estranged son, Rafa (Eduardo Minett), a young streetwise teen who turned to cockfighting in Mexico — with a rooster named Macho — after his parents’ divorce.
Eastwood enters the picture wearing a cowboy hat, befitting a man who made his mark in Hollywood in the 1959–65 CBS Western series Rawhide (in which he famously played assistant trail boss Rowdy Yates), then took on a fierce turn in the so-called “spaghetti Western” Dollars trilogy as well as a string of other films, including High Plains Drifter, Pale Rider and The Outlaw Josey Wales. Cry Macho, though, marks Eastwood’s first return to the genre since Unforgiven, his 1992 Oscar-winning classic.
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Buzz : December 1997
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Buzz : December 1997
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Alpinist : Winter 2012/2013
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Alpinist : Winter 2012/2013
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Image et Son : May 1967
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Image et Son : May 1967
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Film Maker’s Magazine : September 2000
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Film Maker’s Magazine : September 2000
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West : March 1986
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West : March 1986
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Pageant : January 1974
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Pageant : January 1974
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CU Amiga : May 1991
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CU Amiga : May 1991
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ONTV Program Guide : April 1981
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ONTV Program Guide : April 1981
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Esquire : October 1988
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Esquire : October 1988
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Seven Days : 7th February 2009
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Seven Days : 7th February 2009
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TV and Satellite Week : December 1998
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TV and Satellite Week : December 1998
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Target : 21st October 1972
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Target : 21st October 1972
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Target : May 1972
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Target : May 1972
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You : April 1982
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You : April 1982
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You : 3rd March 1985
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You : 3rd March 1985
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Fame : November 1988
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Fame : November 1988
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Men’s Journal : December 2003
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Men’s Journal : December 2003
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Film Comment : Jan / Feb 1978
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Film Comment : Jan / Feb 1978
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Millionaire : July 1999
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Millionaire : July 1999
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Sun Valley Magazine : Summer / Fall 2013
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Sun Valley Magazine : Summer / Fall 2013
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Icon : December 1997
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Icon : December 1997
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Crossroad : December 2009
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Crossroad : December 2009
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Yours Retro : July 2022
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Yours Retro : July 2022
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Primetime : January 1985
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Primetime : January 1985
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Drama-Logue : July 1993
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Drama-Logue : July 1993
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Calendar : August 1992
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Calendar : August 1992
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The Big Issue Japan : September 2008
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The Big Issue Japan : September 2008
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The Big Issue Japan : February 2011
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The Big Issue Japan : February 2011
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TV Film : 3rd September 2000
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TV Film : 3rd September 2000
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Film TV N.48 : 30th November 2021
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Film TV N.48 : 30th November 2021
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Film TV N.5 : 30th January 2024
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Film TV N.5 : 30th January 2024
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Film TV : 20th February 2005
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Film TV : 20th February 2005
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Observer : January 1984
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Observer : January 1984
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Closer : 7th July 2025
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Closer : 7th July 2025
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Closer : January 2020
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Closer : January 2020
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Cable View : March 1982
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Cable View : March 1982
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Il Monello : April 1979
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Il Monello : April 1979
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TV Gente : 7th November 1985
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TV Gente : 7th November 1985
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Sunday Express S2 March 11 2004
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Sunday Express S2 March 11 2004
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TV Taro : July 1992
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TV Taro : July 1992
…and the prize for the strangest magazine cover featuring Clint Eastwood goes to…TV Taro!
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Movie News : July 1972
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Movie News : July 1972
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Sunday : May 13 1984
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Sunday : May 13 1984
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Modern Maturity : March | April 2001
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Modern Maturity : March | April 2001
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Astrologer : December 1985
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Astrologer : December 1985
CLINT EASTWOOD
Quiet Geminiby Jeff Jawer
Clint Eastwood was born on May 31, 1930, 5:35 PM PST, in San Francisco. This means that he was born with his Sun in Gemini. In astrology, the sun is meant to describe the core or the essence of a person. Newspaper astrology utilizes only the Sun’s sign to provide its questionable daily forecasts. Astrologers, though, know that all the planetary elements present at the time of birth play a role in describing one’s character and personality potentials. This must certainly be the case for Clint Eastwood as his stolid attitude and reluctance to talk is atypical for Gemini. Gemini is known as an Air sign and has a great deal to do with communications. When Clint plays a role in one of his films you know it is going to be action, not words that count. However, if we look at the meaning of Gemini a bit more carefully, we may find that he does fulfill at least a couple of its basic premises.
Geminis are dualistic or changeable. Gemini is one of chameleon signs—those born under it can assume different roles. For years we have known Clint as the relatively silent hero of action films. His acting and his films received little critical support in spite of great public popularity. Now, in his mid-fifties, Clint Eastwood is being recognized as a leading filmmaker, the rare star who can direct his own work successfully.
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Western Star Picture Parade : 1960
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Western Star Picture Parade : 1960
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Two Great Heroes Fighting Book : September 1982
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Two Great Heroes Fighting Book : September 1982
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Sunday : May 26 1985
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Sunday : May 26 1985
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Carmel : Spring 2024
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Carmel : Spring 2024
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Carmel : Winter 2020
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Carmel : Winter 2020
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Carmel : Spring / Summer 2012
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Carmel : Spring / Summer 2012
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Carmel : Winter 2009
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Carmel : Winter 2009
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Carmel : Spring / Summer 2006
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Carmel : Spring / Summer 2006
Film Comment : May – June 1996